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Over You
03:04
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What It Takes
02:59
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Years
03:17
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If you like Sarah Shook & the Disarmers on Audiotree Live, you may also like:
The Way She Looked at You / Devil May Care
by Sarah Shook & the Disarmers
supported by 19 fans who also own “Sarah Shook & the Disarmers on Audiotree Live”
Two favorites on one disc. First time I heard this one was at my only chance to see Sarah Shook live, and the release of this 7" was announced.
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Years
by Sarah Shook & the Disarmers
supported by 18 fans who also own “Sarah Shook & the Disarmers on Audiotree Live”
There's only one track on this whole album I don't adore. The other nine would be my favorite track on almost any other album they stumbled into. "Years" is like the perfect Best Of album for a band that's been steadily putting out records for decades. 'Caroline Reese and the Drifting Fifth' level stuff here.
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Seven
by Sarah Shook & the Devil
supported by 13 fans who also own “Sarah Shook & the Disarmers on Audiotree Live”
A rebellious country and back to the roots jams that made Sarah Shook and The Disarmers so damn good!
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Threnody for the KhoiSan
by garth erasmus
Decades of political activism are funneled into a fusion of traditional Southern African music, free jazz, and avant-garde composition.
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The Confluence LP
by Dele Sosimi & The Estuary 21
Former member of Fela Kuti’s Egypt 80 unveils a rich, swinging new record that pulls from jazz and soul in its high-wattage songs.
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Have Some Shame
by don't get lemon
Gutsy New Romantic synthpop from Austin, Texas with hooks and heartache galore.
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Sidelong
by Sarah Shook & the Disarmers
supported by 12 fans who also own “Sarah Shook & the Disarmers on Audiotree Live”
So good I've bought it here, on Amazon, and on CD. Saw them live once, when a guitarist was unavailable to tour so they snatched up a member of the Charles Talham band to cover...and they let him jam out, having fully incorporated his funk jazz esque style into their rebel country music. Years into touring, well into a back breaking tour at the truckstops-and-shared-motel-rooms level, and they were still THERE in the moment. Real musicians playing to crowds far smaller than they deserve.
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